Visual novel reader change background image

Yellow represents warm colours, cheerful, joy, lightheartedness.

вЂ‹Red red colour red represents action, passion, masculinity, emotion, danger.

Media used can emphasise colour, eg luminous watercolours, gouache- more intense. Placement of certain colours near each other can prompt mood, or draw attention to certain features 'Hot' colours- excitement, happiness, anger INTENSITY- describes Te purity or strength of a colour: bright or dull VALUE- the brightness of colour- light/ dark Depending on the context, it can have symbolic, associative or evocative meanings.

Shadows may suggest concealment of fear and despairД¬olour is an element strongly tied to our emotions.

Symbols can be used to represent ideas or concepts.

Modality can be affected by tricks with perspective.

Decontextualisation - Components are removed from the expected context and used elsewhere.

Idealisation -the images better than real.

вЂ‹Lowest modality graphics are the least real.

Meaning comes from the symbolic connection made by the reader.

With a long shot or an objective image of you is not drawn into involvement with the image. Like in film medium, illustrators use 'shots' for different purposes, for example close-ups, long shots etc.ДЄ close-up is intimate and creates a connection with the viewer whilst a long shot creates objectivity and distance. A straight on eyelevel view creates no power difference. A high angle makes the viewer feel a sense of power and a lower angle makes the viewer feel powerless. For example, 'low angles' make the subject look more powerful while the reverse is true when a 'high angle' is used. Viewing angles and distance are very similar to film shot. The placement of two or more ideas, characters, actions, settings, phrases or words side-by-side for a particular purpose, for example to highlight contrast or for rhetorical effect. вЂ‹Placing visual elements side by side to create contrast or interaction. What has been placed at the bottom of an image can be said to represent the 'real' and usually contains information about the product. In advertising the product is usually placed in the ideal. The top of the page is often called the 'ideal'. IDEAL/ REAL - when the page is divided horizontally, top and bottom. The horizontal axis- the upper section is ideal, the lower elements are real. The vertical axis - the left is known, the right is new or unknown Images in the centre are the nucleus information, the margin images are subservient. POSITIONING OF ELEMENTS eg centre or off-centreД¬ENTRALITY - centrality refers to placing of the main object or figure in the centre of the image or close to the centre of the image. Connectedness can be achieved by vectors and devices such as overlapping or superimposition of images.ДЇOREGROUND/ MIDDLE GROUND/ BACKGROUND - what is in the foreground is often considered more important than what appears in the background. Framing can be achieved by borders, this discontinuities of colour and shape, for my white space. If elements are cut off from one another they are strongly framed. Placement -usually an image becomes heavier if placed towards the top or left of the pageДЇRAMING- elements in a layout can be disconnected and marked off from each other or connected.SALIENCE ( focal points)- The element/s in an image which stand out and attract the viewer's attention, it refers to the feature in a composition that most grabs your attention. They may be objects or parts of objects (such as arms, legs, a pole, the side of a house) or invisible lines such as the direction of gaze from a represented person's eyes to another person or object. It can be created by such things as against, pointing fingers or extended arms.

A vector may be a visible line or an invisible one. VECTOR- A vector is a line that leads your eye from one element to another. This can be influenced by elements such as vectors, Salience, gaze etc. In other words, it is the movement of the viewer's gaze around a visual text. The path moves from the most salient to the least salient elements. OFFER- a term used when a figure 'gazes' at another object in the image encouraging us to look at that object, the viewer is a detached onlooker.ДЄ reading path is the path you take through a visual text. This establishes a connection between subject and viewer. Refers to where the figure in the image is looking.ДEMAND- a term used when a figure in the image 'gazes' directly out of the page at the responder.

Visual novel reader change background image